Реквием по любви

[INSTRUMENTAL PROMPT:
Bass: Deep, analog sub-bass (sine) with very slow attack. In Chorus: add distorted mid-bass (PWM), heavily sidechained to kick for a "breathing" pump.
Drums: Deep, muffled 808 kick (no click). Snare is a heavily gated noise/rimshot with massive Cathedral Hall reverb. Hi-hats are sparse, choked, sounding like vinyl crackle.
Harmony: Implied by cold, glassy FM-synth dyads (never full chords). Pads are multi-layered: low pulsating drone (LFO filter) + high, shimmering string machine.
Lead/MID: Chorus lead is a cold, glass bell/FM synth with portamento (glide). High, dissonant arpeggiator (Minor 2nd interval) enters in Chorus (sounds like a broken music box).
FX: Constant "bad tape" emulation (Wow, Flutter, Hiss). Background layer of low industrial hum and metal scrapes. Breakdown features granular "freeze" effect on pads.]
[VOICE: Female, high-pitched, thin, slightly nasal, ethereal, fragile. Innate nervous tension. Otherworldly, like a child's echo in an abandoned factory.]*
*[PERFORMANCE: Disconnected, trance-like, on the verge of a nervous breakdown. Anti-rhythmic phrasing. No warmth; only cold electricity and raw nerves.]*
*[VERSE 1: Close-mic, bone-dry whisper. Erratic gasps. Consonants soft/melting, vowels sharp. On specific phrase: sudden break into unnaturally high, ultrasonic falsetto for a split second, then crash back into rasp.]*
*[PRE-CHORUS: Voice retreats "inside the skull." Constricted, choking delivery. Heavy reverse reverb tail.]*
*[CHORUS: "Ethereal Wail." Voice detaches into massive, cold hall reverb. Wide, uncontrolled, unstable vibrato (like shivering glass). On accusation ("I know it's because of her"): voice breaks into dry, hysterical, high-pitched scream with tape saturation.]*
*[VERSE 2: Return to close-mic, but with "biting," contemptuous articulation. Sharp, hissing sibilance.]*
*[BREAKDOWN: Voice becomes non-human. Phrases pitch-shifted down an octave and stretched into a low, pulsating, granular drone.]*
*[OUTRO: Only frozen, reversed reverb tails remain, sounding like metallic ice cracking.]
[Intro: 16 bars of deep, pulsating sub-bass (sine wave) with slow attack. Occasional distant metal creak. Background tape hiss and low drone. No drums.]

[Verse 1: Minimalist, dry, deep kick on every beat with heavy sidechain. Rare, short finger snaps. Lead vocal: female, high register, extremely breathy, intimate spoken-word, gasping for air. Heavy close-mic texture. Lyrics: 
[Verse 1]
Я 
Так разлагаюсь на чувства
Больше их нет и не будет
Навсегда
В них
Больше не чувствую пульса
Душа моя их не забудет
Никогда
Я
Так умирала тогда там
Увидела где вдруг тебя с ней
Радым был
И
Моя любовь мне прошептала
Что умрёт и умирала
Так в тиши.]

[Pre-Chorus: Muffled low-frequency pad slowly opening filter. Vocal reverb widens dramatically. Reverse reverb tail on last word. Lyrics: 
[Pre-Chorus]
Любовь умерла
Не оживёт никогда.
Ведь ей тебя так не хватает
Она умерла.
Погасла в тоске вдруг душа
В пропасть упала она....]

[Chorus 1: Sudden filter opening. Dense, dirty square-wave mid-bass enters. Heavily reverberated, gated snare. Shimmering FM-arp. Lead vocal becomes wide, detached, with heavy vibrato and stereo ping-pong delay. Lyrics: 
[Chorus 1]
Мало жила
Не было сил
Любовь умерла
Оттого что кто-то убил её
Я знаю это из-за неё.
Мало жила
Не было сил
Любовь умерла
Оттого что кто-то убил её
Я знаю это из-за неё.]

[Verse 2: Rhythm section drops out, leaving dry kick and sub-bass. Vocal returns to intimate, close-mic whisper with audible lip sounds and slight cynicism. Background vinyl crackle. Lyrics: 
[Verse 2]
Ты 
Мне в глаза нагло кидаешь
Что я ошиблась, но просишь
Извинить.
Ты
Мне сказал что так прощаешь
Мысли мои в грязной фальши
Утопил.]

[Pre-Chorus: Entrance of a muffled, low-frequency synthetic pad slowly opening its filter. Vocal reverb widens dramatically. Reverse reverb tail on last word. Lyrics: 
[Pre-Chorus]
Любовь умерла
Не оживёт никогда.
Ведь ей тебя так не хватает
Она умерла.
Погасла в тоске вдруг душа
В пропасть упала она....]

[Chorus 2 (EMOTIONAL PEAK): All elements from Chorus 1 return. Added layer of heavily compressed, high-pitched female backing vocals ("а-а-а") in dissonant intervals. Lead vocal on "Я знаю это из-за неё" pushed into subtle tape saturation and distortion. Lyrics: 
[Chorus 2 (EMOTIONAL PEAK)]
Мало жила
Не было сил
Любовь умерла
Оттого что кто-то убил её
Я знаю это из-за неё.
Мало жила
Не было сил
Любовь умерла
Оттого что кто-то убил её
Я знаю это из-за неё.]

[Breakdown: Full stop of drums and bass. Only ambient pad, slow dripping water, and granular synthesis textures. Lead vocal fragments ("Я так умирала...") are frozen, pitch-shifted down and stretched into a low, rumbling drone.]

[Outro: Gradual fade of all elements except deep sub-bass and frozen, reversed vocal phrases from the breakdown, slowly fading into pure tape hiss and low industrial hum.]